Although the Fleißer-Forschung has always emphasized the link between Marieluise Fleißer and the strong personalities she worked with in the Weimar period, little attention has been paid to her active role as a playwright. This paper aims to demonstrate the original value of Fleißer’s artistic project by adopting Pierre Bourdieu’s theory of cultural production. The analysis of Fleißer’s “position-takings” in the Ingolstädter Stücke unravels the personal viewpoint from which her aesthetic choices are defined, as well as the “differential signification” of her poetics within the literary field.
Uno spazio tutto per sé. La poetica degli ‘Ingolstädter Stücke’ dal punto di vista di Marieluise Fleißer
C.M. Buglioni
2012-01-01
Abstract
Although the Fleißer-Forschung has always emphasized the link between Marieluise Fleißer and the strong personalities she worked with in the Weimar period, little attention has been paid to her active role as a playwright. This paper aims to demonstrate the original value of Fleißer’s artistic project by adopting Pierre Bourdieu’s theory of cultural production. The analysis of Fleißer’s “position-takings” in the Ingolstädter Stücke unravels the personal viewpoint from which her aesthetic choices are defined, as well as the “differential signification” of her poetics within the literary field.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.