The parish church of Sant’Andrea and the two orato- ries of San Rocco and San Giovanni Battista contain important works that are an expression of figurative culture from Mannerism to the peak of the 18th cen- tury. These also testify the direct involvement of sev- eral members of the families of Sigirino or those from nearby localities as authors of the works or as patrons, as in the case of the Vocation of Saint Andrew, executed in 1577 by a member of the Insermini dynasty of Mu- gena, and the stuccoes executed by Pietro Marieloni (Marielloni) in 1727; but members of the Pedretti and Ghezzi families were also active in the three churches. The processional statue of Our Lady of Sorrows and the paintings in the church of San Rocco also can be dated to the 17th century and the first half of the 18th century, including a half-length Saint Charles, based on models by Giovanni Battista Crespi known as Cerano. Final- ly, in San Giovanni Battista, the altarpiece above the main altar is noteworthy for the elegant classicism of a composition of Emilian derivation.

Le chiese di Sigirino. Pittura, scultura e arredi liturgici dal Cinquecento al Rococò

Laura Facchin
2024-01-01

Abstract

The parish church of Sant’Andrea and the two orato- ries of San Rocco and San Giovanni Battista contain important works that are an expression of figurative culture from Mannerism to the peak of the 18th cen- tury. These also testify the direct involvement of sev- eral members of the families of Sigirino or those from nearby localities as authors of the works or as patrons, as in the case of the Vocation of Saint Andrew, executed in 1577 by a member of the Insermini dynasty of Mu- gena, and the stuccoes executed by Pietro Marieloni (Marielloni) in 1727; but members of the Pedretti and Ghezzi families were also active in the three churches. The processional statue of Our Lady of Sorrows and the paintings in the church of San Rocco also can be dated to the 17th century and the first half of the 18th century, including a half-length Saint Charles, based on models by Giovanni Battista Crespi known as Cerano. Final- ly, in San Giovanni Battista, the altarpiece above the main altar is noteworthy for the elegant classicism of a composition of Emilian derivation.
2024
2024
2024
Moizi Mirko
Sigirino. La parrocchiale e i due oratori
54
82
29
STAMPA
Comitato scientifico
Fontana Edizioni
Italy
Lugano
978-88-8191-769-3
Italiano
Pittura Bologna secolo XVIII, Sigirino chiesa parrocchiale Sant'Andrea, Sigirino oratori, Canton Ticino pittura secco. XVI-XVIII, Canton Ticino stucco secolo XVIII
no
268
info:eu-repo/semantics/bookPart
Facchin, Laura
none
Contributo specifico in volume::Articolo in Volume
1
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11383/2199934
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