Cyberbullying and hate speech represent a serious social scourge in contemporary society, disproportionately impacting vulnerable populations, particularly adolescents and women. These phenomena function not only as mechanisms of sexual discrimination and the reinforcement of gender stereotypes, but also serve as early indicators of broader illicit behaviors, ranging from workplace harassment (mobbing) to psychological violence within the private sphere. This study situates these manifestations within a more expansive historical continuum—from Artemisia Gentileschi’s trial, through the promises enshrined in the Italian Constitution, to the fervent struggles of second-wave feminism in 1970s—with art persistently reflecting on violence and inequality. Despite legislative safeguards and international frameworks such as the Istanbul Convention, systemic violence persists, fueled by entrenched stereotypes and exacerbated by digital media platforms. Particular emphasis is placed on the roles of media, art, and communication practices, given that inaccurate or stereotypical portrayals risk legitimizing violence and inflicting secondary victimization. Consequently, this paper advocates for comprehensive education, enhanced critical awareness, and rigorous media accountability as indispensable tools in dismantling patriarchal narratives and advancing gender equality.
Discriminazione di genere tra arte e informazione: rischi e opportunità del web
paola biavaschi
2025-01-01
Abstract
Cyberbullying and hate speech represent a serious social scourge in contemporary society, disproportionately impacting vulnerable populations, particularly adolescents and women. These phenomena function not only as mechanisms of sexual discrimination and the reinforcement of gender stereotypes, but also serve as early indicators of broader illicit behaviors, ranging from workplace harassment (mobbing) to psychological violence within the private sphere. This study situates these manifestations within a more expansive historical continuum—from Artemisia Gentileschi’s trial, through the promises enshrined in the Italian Constitution, to the fervent struggles of second-wave feminism in 1970s—with art persistently reflecting on violence and inequality. Despite legislative safeguards and international frameworks such as the Istanbul Convention, systemic violence persists, fueled by entrenched stereotypes and exacerbated by digital media platforms. Particular emphasis is placed on the roles of media, art, and communication practices, given that inaccurate or stereotypical portrayals risk legitimizing violence and inflicting secondary victimization. Consequently, this paper advocates for comprehensive education, enhanced critical awareness, and rigorous media accountability as indispensable tools in dismantling patriarchal narratives and advancing gender equality.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



