The paper reports a cross-cutting and systematic approach to the analytical study of Baroque stucco decorations by Italian artists known as “Magistri Comacini”. Samples from the Church of St. Lorenzo in Laino (Como, Italy) were analysed using chemical and mineralogical tech- niques and the results interpreted with the help of art historians in order to enlighten the artistic techniques. The characterisation of the binder, aggregate and organic fractions was carried out through optical microscopy, scanning electron microscopy with microprobe, X- ray powder diffraction, Fourier transform infrared spectroscopy, gas chromatography–mass spectrometry and laser ablation mass spectrometry equipped with plasma source spec- trometry. The results on major, minor and trace components ascertained various recipes. In particular, the investigation of the finishing layers corroborated hypotheses of attribu- tion and chronology and stressed the different skills of the artists working in the building, shedding a light on details of the decoration technique.

The stucco decorations from St. Lorenzo in Laino (Como, Italy): The materials and the techniques employed by the “Magistri Comacini”

RAMPAZZI, LAURA;SPIRITI, ANDREA;Facchin L.
2008-01-01

Abstract

The paper reports a cross-cutting and systematic approach to the analytical study of Baroque stucco decorations by Italian artists known as “Magistri Comacini”. Samples from the Church of St. Lorenzo in Laino (Como, Italy) were analysed using chemical and mineralogical tech- niques and the results interpreted with the help of art historians in order to enlighten the artistic techniques. The characterisation of the binder, aggregate and organic fractions was carried out through optical microscopy, scanning electron microscopy with microprobe, X- ray powder diffraction, Fourier transform infrared spectroscopy, gas chromatography–mass spectrometry and laser ablation mass spectrometry equipped with plasma source spec- trometry. The results on major, minor and trace components ascertained various recipes. In particular, the investigation of the finishing layers corroborated hypotheses of attribu- tion and chronology and stressed the different skills of the artists working in the building, shedding a light on details of the decoration technique.
2008
Stuccoes Baroque Artistic technique Microscopic analyses Spectrometric analyses Laser ablation
Rampazzi, Laura; B., Rizzo; C., Colombo; C., Conti; M., Realini; U., Bartolucci; M. P., Colombini; Spiriti, Andrea; Facchin, L.
File in questo prodotto:
File Dimensione Formato  
AnalyticaChimicaActa_2008.pdf

non disponibili

Tipologia: Documento in Post-print
Licenza: DRM non definito
Dimensione 3.33 MB
Formato Adobe PDF
3.33 MB Adobe PDF   Visualizza/Apri   Richiedi una copia

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11383/1706321
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus 26
  • ???jsp.display-item.citation.isi??? ND
social impact