The paper intends to analyze the argumentative plexus "revolution-utopia" in Ernst Bloch's work "Geist der Utopie (Spirit of Utopia)" (1918) from an aesthetic perspective. According to this frame, the points of contact with the philosophers Oswald Spengler and Gyorgy Lukács are stressed, but also the nodes of continuity and discontinuity with respect to Bloch's subsequent production.

Hollow space with sparks: Ernst Bloch between World War I andUtopia

Micaela Latini
2021

Abstract

The paper intends to analyze the argumentative plexus "revolution-utopia" in Ernst Bloch's work "Geist der Utopie (Spirit of Utopia)" (1918) from an aesthetic perspective. According to this frame, the points of contact with the philosophers Oswald Spengler and Gyorgy Lukács are stressed, but also the nodes of continuity and discontinuity with respect to Bloch's subsequent production.
Ernst Bloch; World War 1; Spirit of Utopia; Aesthetics; German Literature
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/11383/2104691
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact