Between 1695 and 1703 the Lombard painter Stefano Maria Legnani, called Legnanino, painted a vast frescoed cycle for Palazzo Savoia di Carignano in Turin, seat of the cadet branch of the dynasty represented at the time by Prince Emanuele Filiberto il Muto (1628-1709). The latter, a complex character with a vast culture, promotes a mythological cycle that expresses his ideological and political choices, at the head of the “Spanish” party now in transformation as an imperial party. This visualization, rendered with erudite subtleties and a wealth of cross-references, is here for the first time reconstructed in its entirety: a lucid political manifesto represented in the forms of a mature Bolognese-Roman classicism.
Fra Tesauro e Muratori: le scelte iconografiche del ciclo di palazzo Carignano del Legnanino
Andrea Spiriti
2022-01-01
Abstract
Between 1695 and 1703 the Lombard painter Stefano Maria Legnani, called Legnanino, painted a vast frescoed cycle for Palazzo Savoia di Carignano in Turin, seat of the cadet branch of the dynasty represented at the time by Prince Emanuele Filiberto il Muto (1628-1709). The latter, a complex character with a vast culture, promotes a mythological cycle that expresses his ideological and political choices, at the head of the “Spanish” party now in transformation as an imperial party. This visualization, rendered with erudite subtleties and a wealth of cross-references, is here for the first time reconstructed in its entirety: a lucid political manifesto represented in the forms of a mature Bolognese-Roman classicism.
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