The paper takes on Guido Morselli’s positions in fields of aesthetics and interpretation of visual arts. The analysis, conducted through the critical reading of Realismo e fantasia. Dialoghi (1947), the most challenging theoretical book published by the writer during his lifetime, allows us not only to re-evaluate Morselli’s degree of knowledge and updating in philosophical and art-historical subjects, but also to seize the concrete outcome of a speculation that would have resulted in the active role of promoter of cultural events and exhibitions in Varese.

Estetica, arte e critica nel pensiero di Guido Morselli: da Realismo e fantasia all’impegno culturale attivo

ferrario
2024-01-01

Abstract

The paper takes on Guido Morselli’s positions in fields of aesthetics and interpretation of visual arts. The analysis, conducted through the critical reading of Realismo e fantasia. Dialoghi (1947), the most challenging theoretical book published by the writer during his lifetime, allows us not only to re-evaluate Morselli’s degree of knowledge and updating in philosophical and art-historical subjects, but also to seize the concrete outcome of a speculation that would have resulted in the active role of promoter of cultural events and exhibitions in Varese.
2024
Guido Morselli, aesthetics, art criticism, realism, contemporary art in Varese
Ferrario, Massimiliano
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11383/2188613
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