The paper takes on Guido Morselli’s positions in fields of aesthetics and interpretation of visual arts. The analysis, conducted through the critical reading of Realismo e fantasia. Dialoghi (1947), the most challenging theoretical book published by the writer during his lifetime, allows us not only to re-evaluate Morselli’s degree of knowledge and updating in philosophical and art-historical subjects, but also to seize the concrete outcome of a speculation that would have resulted in the active role of promoter of cultural events and exhibitions in Varese.

Estetica, arte e critica nel pensiero di Guido Morselli: da Realismo e fantasia all’impegno culturale attivo

ferrario
2024-01-01

Abstract

The paper takes on Guido Morselli’s positions in fields of aesthetics and interpretation of visual arts. The analysis, conducted through the critical reading of Realismo e fantasia. Dialoghi (1947), the most challenging theoretical book published by the writer during his lifetime, allows us not only to re-evaluate Morselli’s degree of knowledge and updating in philosophical and art-historical subjects, but also to seize the concrete outcome of a speculation that would have resulted in the active role of promoter of cultural events and exhibitions in Varese.
2024
8
185
208
24
STAMPA
Esperti anonimi
Italiano
Guido Morselli, aesthetics, art criticism, realism, contemporary art in Varese
no
262
Ferrario, Massimiliano
reserved
Articoli su Riviste::Articolo su Rivista
1
info:eu-repo/semantics/article
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11383/2188613
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