The article focuses on Cesare Pavese’s reading of d’Annunzio’s poetry, and particularly of the Laudi, that he carried on since his early youth. This interest is especially evidenced by an unpublished notebook of the high school period, partially reported in the appendix, in which Pavese cites and comments extensive passages from Maia, and by the many withdrawals from that work or from Alcyone that converge in his poems. Starting from this documentation, and from some statements in his diary, the reading of d’Annunzio’s poetry seems to be one of the roots of Pavese’s interpretation of classical myth.

«Alle radici»: Pavese, L'Alcyone, le note su Maia

Gioele Cristofari
2022-01-01

Abstract

The article focuses on Cesare Pavese’s reading of d’Annunzio’s poetry, and particularly of the Laudi, that he carried on since his early youth. This interest is especially evidenced by an unpublished notebook of the high school period, partially reported in the appendix, in which Pavese cites and comments extensive passages from Maia, and by the many withdrawals from that work or from Alcyone that converge in his poems. Starting from this documentation, and from some statements in his diary, the reading of d’Annunzio’s poetry seems to be one of the roots of Pavese’s interpretation of classical myth.
2022
2022
2021
9
141
153
13
ELETTRONICO
Esperti anonimi
chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://edizionicafoscari.unive.it/media/pdf/article/archivio-dannunzio/2022/1/art-10.30687-AdA-2421-292X-2022-01-012.pdf
Italiano
D’Annunzio. Pavese. Flammarion. Maia. Alcyone. Lavorare stanca. Laudi.
no
262
Cristofari, Gioele
none
Articoli su Riviste::Articolo su Rivista
1
info:eu-repo/semantics/article
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11383/2199492
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